Flute Bag
Kimono Obi Silk Piccolo Bag – Plum Blossom
Kimono Obi Silk Piccolo Bag – Plum Blossom
ピッコロケースバッグ (帯) 梅・両面柄
– Plum Blossom
Japan’s First Obi Piccolo Case Bag – “Summer” Edition
Each “Summer” piccolo case bag is carefully handcrafted with the maker’s intention to create a bag you’ll want to carry every day. Made from traditional obi (kimono sashes), each bag is completely unique, reflecting the individual character of the original textile. The design is simple and lightweight, while the silk threads shimmer subtly with every change of light.
The plum blossom is one of Japan’s traditional auspicious flowers, symbolizing the invitation of good fortune and the avoidance of misfortune. It also heralds the arrival of spring, representing hope and the beauty of a new season. This bag allows you to enjoy the refined aesthetics, seasonal charm, and cultural elegance of Japan.
<Care Instructions for Obi Fabric>
Do not dry clean. If silk threads come loose, do not pull; trim them carefully or secure with a thin layer of adhesive. Avoid using the bag on rainy days whenever possible.
Shoulder Strap: None (metal rings on both sides provided for optional strap)Craftsmanship: Handcrafted with machine stitching
*This is not a protective instrument case
* You can put a hard case inside
*Customs duties are borne by the customer.
Click here for details on customs duties.
*Please note that purchased items cannot be returned.
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Details
| Outer / Lining Fabric | 100% silk obi (Made in Japan) |
| Zipper | YKK (Made in Japan) |
| Inner Pocket | None |
| Padding | Light inner cushioning included |
| Length |
27cm (10.6inch)
|
| Width |
4cm (1.5inch)
|
| Height | 11cm (4.3inch) |
| Diameter | 29cm (11inch) |
| Weight | 107g |

Story
History of the Obi
The obi originally began as a simple cord to secure the kimono. During the Heian period, influences from continental Asian cultures added decorative elements, and by the mid-Edo period, the popularity of kabuki theater led to the development of wide, ornate obi designed to emphasize femininity. Today, there are three main types of obi: maru obi, fukuro obi, and nagoya obi.
Production
ProcessSelection: The artisan personally selects high-quality obi.
Cutting: Maru obi, fukuro obi, and nagoya obi are carefully cut into outer and lining fabrics.
Inspection: The usable, pristine sections of the obi are identified, and the fabric is ironed.
Sewing: The outer fabric is stitched together. Cotton padding is applied to the back of the outer fabric, and the zipper and lining are temporarily basted before final stitching.
Finishing: Silk threads in patterned areas are secured with a thin layer of adhesive to prevent damage from friction.
Each obi flute case bag is meticulously sewn with careful consideration of the fabric pattern, ensuring the design is showcased beautifully. By following the care instructions, you can enjoy this one-of-a-kind bag for years. The subtle interplay of light on the silk threads creates unique variations in color, making every bag truly singular.
Artist
Eiko Summer
エイコ・サマー
Eiko Summer
Eiko Summer began playing the flute at age 10. After studying at a classical music university, she graduated from a jazz conservatory and now performs across various musical genres while also engaging in craft and design work. From a young age, she was drawn to beautiful objects. While performing, she wanted a flute case bag that was stylish and elegant, but couldn’t find one—so she decided to create her own.
She began crafting flute case bags in 2010, initially using genuine leather. After receiving kimonos and obi from her mother, she started experimenting with obi fabrics, creating Japan’s first “obi flute case bag.” Captivated by the shimmering silk threads, she launched her handmade “Summer” original obi flute case bags at one of Japan’s leading instrument stores in 2011.
Eiko Summer carefully selects each obi with the question, “Is this something you’d want to carry every day?” in mind. Each obi yields only three to five bags, making production limited, with many customers returning for more. She also preserves Japanese cultural heritage by remaking traditional kimonos into modern, wearable “dresses,” allowing contemporary audiences to enjoy Japan’s rich textile history.